Rondo in A Major, D. 951 (Excerpt 2)

Table of Contents

Introduction

The Rondo in A Major, D. 951, is one of Franz Schubert’s delightful works for piano four hands, composed in 1828 during the last year of his life. This rondo demonstrates Schubert’s mastery of writing for two pianists, creating textures and sonorities that take full advantage of the expanded keyboard range. The piece follows the traditional rondo form (ABACABA), with a recurring main theme in A major that alternates with contrasting episodes. Schubert’s gift for melody is evident throughout, with lyrical themes that flow effortlessly between the two performers. The work showcases the warm, song-like quality characteristic of Schubert’s music, combined with the technical brilliance and dramatic contrasts that make it engaging for both performers and listeners. This excerpt represents one of the highlights of the four-hand piano repertoire from the early Romantic period.

Demonstration

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Blue Danube in D Major

Introduction “The Blue Danube” in D Major represents the original key and orchestral version of Johann Strauss II’s masterpiece. Composed in 1866 as a choral waltz for the Vienna Men’s Choral Association, the piece quickly gained popularity in its purely instrumental form. The key of D Major provides a bright, radiant character that perfectly complements the waltz’s celebratory and uplifting nature. This version showcases the full splendor of Strauss’s orchestration, with its characteristic Viennese waltz rhythm, elegant melodic lines, and dramatic dynamic contrasts. The work’s introduction, with its shimmering strings, sets the stage for the memorable waltz themes that follow, creating an atmosphere of sophisticated joy that has made this piece an enduring symbol of Viennese musical culture.

Sonata for Four Hands in D Major, K. 381

Introduction The Sonata for Four Hands in D Major, K. 381 (K. 123a), is one of Mozart’s earliest works for piano duet, composed in 1772 when he was just sixteen years old. Written for himself and his sister Nannerl to perform together, this sonata represents one of the first significant contributions to the four-hand piano repertoire. The work is structured in three movements—Allegro, Andante, and Allegro molto—demonstrating the young composer’s mastery of classical form and his gift for writing music that is both technically engaging and melodically delightful. Four-hand piano music requires careful balance and communication between performers, and Mozart skillfully distributes musical interest between the two parts. This sonata remains popular among pianists for its accessibility, charm, and the opportunity it provides for musical collaboration.

Blue Danube in C Major

Introduction “The Blue Danube” (An der schönen blauen Donau) is perhaps the most famous waltz ever composed, written by Johann Strauss II in 1866. Originally scored for orchestra, this beloved piece has been arranged countless times for various instruments and ensembles, including this version in C Major for piano. The waltz’s flowing melodies, characterized by the distinctive three-quarter time signature and graceful phrasing, evoke the romantic elegance of 19th-century Vienna. Despite its initial lukewarm reception, “The Blue Danube” has become an unofficial anthem of Vienna and one of the most recognizable pieces of classical music worldwide. Its gentle, meandering themes capture the essence of the Danube River’s beauty and have made it a staple of New Year’s concerts and elegant social gatherings.